Bianca Dhakiyarr

Molly Sans is a sans-serif family, drawn and created by Måns Grebäck between 2016 and 2019.

With an appearance similar to traditional sign painting, this all-caps typeface works great in classic, genuine and crafty designs.

Stable and perfect for stacked type settings, Molly Sans is used for headers and titles meant to grab the attention of the observer.

The font family includes 25 (!) styles, from Extra-Condensed Thin to Extra-Expanded Black.
The many style options allows for very high flexibility and real customization.

XC = Extra-Condensed
C = Condensed
N = Normal
E = Expanded
XE = Extra-Expanded

Each style goes well with the other styles, or contrasts nicely with any script typeface.
Also have a look at its sister font Molly Serif.

Molly Sans contains a wide range of international glyphs and characters, and supports all European, Latin-based languages.

Amazing Font of THARWAT which is similar to calligraphy of THULUTH of a real calligrapher.

I added many glyphs to get this feature and it becomes easier to a graphic designer to write with Arabic THULUTH font without real calligrapher. Golden2 is beautiful in Headlines of Arabic books and photos.

Thuluth font (THARWAT EMARA THULUTH GOLDEN 2) distinguished by its beautiful artistic structures and ready-made sentences to help you design the designer designs and paintings easily. It also retains the beauty of its original Arabic calligraphy.

This font can be used in titles of books, magazines and Quranic verses. Also for printing on clothes, Najaf and antiques.

It is the first font that you can write complete sentences and Ayat of Quran with beautiful artistic structure like those written by the calligrapher. It also simulates the handwriting and no need to calligraphy it when you have this font.

Moret is a serif display type family inspired by 20th century European sign painting. It blends several calligraphic concepts to create a unique, dynamic and emphatic typeface. Available in 5 weights and 2 styles (upright and oblique), Moret is well equipped to provide clear solutions for a variety of situations and settings such as editorials and headlines. With 466 glyphs per font, Moret supports 94 different languages. Opentype features include inferiors, superiors, fractions, tabular figures, and ligatures.

Egyptian Wide is a typeface published by SoftMaker.

The font reproduces the characteristic detail of some Armenian fonts of the past centuries - the disruption of thin elements. At the same time, the font combines the plasticity of lapidary inscriptions and modern aesthetics.
The name Vard (Rose) is highlights an elegance of style.
Applicable for headlines, drop caps, advertising compositions, etc.

Polygon are unique fonts with a modern character based on the rational thinking of the enlightenment with its classic forms and timeless elegance. This first installment will be followed by more extreme and by less extreme designs on the same design basics. You get many embellished characters in each font. The font has over 1100 glyphs, but you need to have Open-Type-Savy software to use the font to its full extend. These fonts have been designed to work great as bodycopy, the heavier weights are meant to be used for smaller sized typesetting and the lighter ones should be used when the sizes get bigger. Enjoy!

Author is a family of humanist sans serif fonts. They are optimized for use in modern publications – hence the the name ‘Author.’ Its letterforms are slightly expanded, which gives the counter-forms inside of them enough space to breathe, thus increasing their legibility and helps with their on-screen rendering, too. Author’s family includes six weights, ranging from Extralight through Bold. Each weight has an upright and an italic font on offer. The uppercase letters are virtually mono-linear in appearance; however, several of the lowercase letters have visible stroke contrast. The tops of Author’s strokes terminate in diagonal cuts; these are reminiscent of the broad-pen that would be used to write the humanist letterforms the typeface is based on. In Author’s upright fonts, the lowercase ‘a’ and ‘g’ are double-storied; there is a single-storey ‘g’ in the fonts as an OpenType alternate. In the italic fonts, the ‘a’ and the ‘g’ are both single-storied. The ascenders of Author’s lowercase letters a slightly taller than the tops of the capitals. The family’s fonts include both lining and old-style figures; in both versions, the ‘3’ has a flat top. Author was designed by Satya Rajpurohit, the founder of Indian Type Foundry.

The Vidal is a display typeface designed in 2016 by Elena Albertoni. It comes in three styles: Regular, Bold and Black. This wide sans-serif with low contrast is inspired by French and British Art Deco lettering and it is suitable for use in medium to large sizes, where it offers good legibility and all its friskiness. The attitude of Vidal when set in all caps derives from the models that inspired the design: mainly capital-only lettering pieces; the essential addition of lowercase letters distinguishes Vidal from similar revivals and makes it a great modern choice.

The “Kiez“ is an old school style font designed by Elena Albertoni in 2016. Inspired by shop and bar signage of the sixties and seventies, which can still be found today in the so called “Kiez“ in Hamburg St. Pauli or in one or another “Kiez“ in Berlin, which means neighborhood here. It also has a cinematic touch, again: think of the sixties and seventies or your favorite b-movie.

Hand forged with strength & precision – Forged is a bold, powerful typeface that stands strong. Handcrafted as if by a blacksmith, this typeface has its quirks and imperfections like any metalwork which gives it a unique character. The family consists of regular, outline, bevel and fill versions. All weights are versatile and can be used for packaging, logotype, copy and headings.

Strike while the iron’s hot!