This Freight Sans Pro package is part of a series that introduces four new weights that go to the extremes—from the behemoth freight sans pro ultra black to the fine lines of freight sans pro hairline, thin and extra light, in three widths—normal, condensed and compressed, all with corresponding italics. the extensive character sets include: small caps, ligatures, oldstyle and tabular figures along with support for over 40 western and central european languages.
GarageFonts introduces four new weights of Freight Sans Pro that go to the extremes—from the behemoth freight sans pro ultra black to the fine lines of freight sans pro hairline, thin and extra light, in three widths—normal, condensed and compressed, all with corresponding italics. The extensive character sets include: small caps, ligatures, oldstyle and tabular figures along with support for over 40 western and central european languages.
From completely OUT OF THE BLUE, here’s a font you'll need when, unexpectedly -- with a sense of immediate urgency -- your characters abruptly call out without warning and on the spur of the moment! When Suddenly ’s prompt! It’s abrupt! It responds in a flash! Now you can put all the words you need in your comic book in such a way that they'll come as a complete surprise to all your readers!
When Suddenly is BOLD! It’s ITALIC! It’s anything but REGULAR!
Once upon a midnight dreary, this Comicraftsman pondered, weak and weary,
For a name synonymous with Mighty and Marvelous comics lore.
Solid, Outline, Inline was the nameless font I'd crafted,
I nodded, nearly napping o'er the work I'd grafted
When suddenly came a tapping,
As of someone gently rapping, rapping at my cubicle door.
"'Tis some visitor," I muttered, "tapping at my cubicle door--
Calling out “EXCELSIOR!”
Then an Amazing Vision beguiled my sad fancy into smilin',
By the Spectacular decorum of the countenance it wore,
“Though thy crest be shorn and shaven,” he said, "thou art sure no craven,
And thy font should not remain nameless here forevermore!"
Eagerly I wished the morrow; vainly I had sought to borrow
From comic books surcease of sorrow, letters that called out “EXCELSIOR!”
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking of the nominative neuter singular thing
Like Some Silvered Surfer wandering from the Nightly shore--
The Vision shrieked, upstarting--“Tell me what thy lordly name is thus!”
Quoth the Craftsman: “EXCELSIUS!”
Attention Space Rangers -- the Race into Space is on again! Science Fiction long ago became Science Fact and scientists are looking Beyond Earth, Beyond the Moon to Mars, Infinity -- and BEYOND!
Comicraft’s Ace Rocket Scientist and Secret Weapon, John “Buzz” Roshell has spent years in our Underground Laboratory developing Accelerated Font Technology for the Space Age in which we live. SPACE RACE has curved contours and a sleek fuselage that will ensure our Rangers will be the FIRST WOMEN (and MEN) on planets in this Solar System and those of other stars! Now available for less than the cost of powdered astronaut ice cream.
Why not take a giant leap back to the 1970s?
Rakia is a science-fiction inspired font, with classic overtones of the 70s. Alternatively, it is a 1970s font with scoff overtones. Take your pick! It’s an all capitals face, with a strong suggestion of speed and motion about it. A wonderful display font and fun to use!
Gilan is a sans-serif font family designed by Naghi Naghashian in tree weights, Gilan Light, Gilan Medium and Gilan Bold. It is extremely legible even in very small size.
This font family is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Gilan supports Arabic, Persian ( Farsi ) and Urdu.
It also includes proportional and tabular numerals for the supported languages.
Gilan design fulfills the following needs:
A Explicitly crafted for use in electronic media fulfills the demands of electronic communication.
B Suitability for multiple applications. Gives the widest potential acceptability.
C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop or Illustrator. Gilan’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text.
D An attractive typographic image. Gilan was developed for multiple languages and writing conventions. Jaleh supports Arabic, Persian and Urdu. It also includes proportional and tabular numerals for the supported languages.
E The highest degree of calligraphic grace and the clarity of geometric typography.